[-empyre-] LANGUAGE, STEREOCENA, SPACES, INTERNET

["aLexandre Venera" <e.ale@ig.com.br>]

1 -  LANGUAGE
	
>I'm curious about your approach to language and international work, aLe. Do
>you intend for the work to be viewable to an international audience? Do you
>conceive the work in this way, or is it, instead, an attempt to speak via
>image and sound and interface, more than a desire to speak to an
>international audience?
>
 . .
>
>ja
>

Anybody know what is::: uoieabc-z?     
    
Here in -empyre -, we are using an identical alphabet, but the order of     
fit of these graphic symbols limits us the language.    
((Do you see how my English is bad? - You can laugh!!! I am a clown))    
The language organizes the thought in a way narrative, lineal...    
But our ideas flow in put upon jumps...     
And I am thinking about Portuguese, you in English, the other in French...    
I think the art about the relationship among the people, not in the 
communication among people.    
With my art I want to motivate your imagination. You won't think    
in that Alexandre wants to say, you should think their own sensations, 
then we will have that international artistic relationship.    
Then you until can think and to feel in Japanese, with their ideograms.    
    
When I notice that my box's of cigarettes paper is more luxurious    
that the layer of my best books, I feel in the garbage.    
It is the POP culture that it is exhausted in sensations of postmodern, 
postindustrial...
I see many artists making art as scouts (always alert!!!;) So many want to 
show a good action and to communicate politicized ideas. It is hopelessly 
that exhausts to himself in a dance in circles of mirrors that doesn't 
reflect anything else.    
There is something of rotten in the den-market, yes, inside of this earth, 
it grows as a mushroom a postcommercial movement. But in the beginning is not
verb (nor the grammatical), nor the geographical limits (nor political).     
It is an art hidden, rare, for few people, and only created for you that 
understands this with your " personal archeology " (ideagrams).  
  
If somebody, like you (that reads in English), has some effort to understand    
some language inside of my work, maybe it is good to know that this is not 
also easy in Portuguese (you that is Brazilian understand the poem in DZG?).     
I am rejecting any instituted language.    
You that reads in English did you already see some thing of Babel (ideagrams)?    
http://www.babel.ca/   
You could also check a metaphor English of " ideiograma "    
of punk / powder-punk / commercial / post-commercial    
" Anarchy In The UK " by 386DX (Alexei Shulgin)    
http://www.epitonic.com/artists/386dx.html
http://www.easylife.org/386dx/